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Since then they have been stored in the reserve rooms, where they are the object of operations of maintenance and, when possible, also of restoration. Circumstances that enable us not only to reveal to the public the extremely high quality of these creations, but also to underline how important it is to proceed with restoration work on most of this collection. The exhibition presents works of Flemish craftsmanship from the 16th century drawn from the series of the Stories of Jacob, the Feasts at the Court of the Valois and the Stories of Hannibal and fabrics of Medicean manufacture from the 16th and 17th century from the devotional ones of the Salviati cycle to the series of the Florentine stories, the Hunts, the Passion of Christ and the Stories of Phaëtonas well as two door curtains with Medicean coats of arms. The display of some of the tapestries restored in recent years — including the Christ before Herod based on cartoons by Cigoli, presented here for the first time — is accompanied by the showing of some of the same series in a different state of conservation, thus favouring comparison between the two and drawing attention to the remarkable results of recovery obtained through the work of restoration. The exhibition features Flemish tapestries from the 16th century, fabric of Medicean manufacture from the 16th and 17th century, and two door curtains with Medicean coats-of-arms. The exhibition offers the opportunity to compare recently restored tapestries with examples in the same series in a different state of conservation. The exhibition aims to familiarise the public with this eclectic artist who enjoyed a role of considerable prestige in Florence in the final decades of the 16th century. In actual fact the marble buildings of the Greek and Roman world, like the friezes and statues that embellished them, were distinguished by vivid colours that formed part of the necessary completion of the work. A fact well known to ancient sources was the collaboration between the Athenian Praxiteles, undoubtedly the most important sculptor of the 4th century BC, and the painter Nicias, one of the most celebrated artists of his generation, whose skilled hands were entrusted with the colouring of the flesh tones and attributes of the marbles created by the Attic master.

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